M77 Gallery | Kendell Geers. OrnAmenTumEtKriMen

 

KENDELL GEERS
OrnAmenTumEtKriMen

Curated by Danilo Eccher

21 September 2020 – 30 January 2021 

 

M77 presents OrnAmenTumEtKrimMen, a solo show by South African artist and activist Kendell Geers (Johannesburg, 1968) curated by Danilo Eccher, open to the public from Monday 21 September 2020 to Saturday 30 January 2021.

European by descent, African by birth, Kendell Geers defines himself as both animist and mystic, shaman and alchemist, punk and poet. Committed to the fight against apartheid from a very young age, Geers used his experience as a revolutionary to develop a psycho-socio-political approach in which ethics and aesthetics are viewed as two sides of the same coin spinning on the giant table of history. In his hands, the vast narrative of art is brought into question, the languages of power and ideological codes are disrupted, expectations dashed, and systems of belief are transformed into aesthetic canons.

The contradictions that are intrinsic to the artist’s identity are embodied in his work. His pieces combine personal with political, poetry with misery, violence with erotic tension. Geers works in various media and techniques, ranging from everyday objects to large-scale installations, and comprising the use of neon, performance and video.

The exhibition’s title OrnAmenTumEtKrimMen is based on the 1908 essay Ornament and Crime by Austrian architect Adolf Loos, pioneer of modern architecture who condemned the decorations on the façades of buildings as a useless, even dangerous excess, steering the course of architecture towards the concept of functionality. For M77, Geers embraces Loos’ cultural heritage by interrogating the languages of Minimalism and the model of gallery white cube, throwing aesthetics against the brick wall of experienced and shards of broken ethics.

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